Journal of the stylistic of Persian poem and prose
volume Number 14، number In Volume 2، May 2021 ، issue Number 60

Analysis Stylistics of Naz and Neyaz poem The AbdulRazzaq Big Dunbeli

Roghayeh Pourrostam , Leila Adlparvar (Author in Charge), Mojtaba Safaralizade

Abstract
BACKGROUND AND OBJECTIVES: Masnavi "Naz va Niyaz" composed by Abdolrazaq Beg Danbali, nicknamed "Fascinated" is a historian, poet, writer, commentator and translator of the literary return period. He composed this poem for the purpose of imitation, with the influence of Khosrow and Shirin Nezami Ganjavi, and the characteristics of the Iraqi style can be seen in it. In the present study, this system has been analyzed stylistically at three levels: linguistic, literary and intellectual. The main question of the research is what are the most important features of Abdul Razzaq"s style in Masnavi Naz and Niaz?
METHODOLOGY: The method of data collection in this article is based on library studies and research has been done in a descriptive-analytical manner.
FINDINGS: Danbali, in accordance with the style of poetry in Persian literature, composed the Masnavi Naz and Niaz and is one of the most eloquent poets of the return period who has succeeded in following the previous poetic styles.
CONCLUSION: At the linguistic level, the poet has used the weight of the culprit and high-frequency rhymes and rows of nouns and nouns. At the lexical and syntactic level, the use of prefixes, suffixes and ancient words, Arabic words, various terms can be seen in his poetry. At the literary level, in proportion to the romantic and didactic theme, the use of all kinds of metaphors, metaphors and spiritual novelties has a lot of style and exaggeration. At the intellectual level, in addition to the romantic theme, which is its main subject, he has paid attention to the educational and religious themes and the letter; There is also a belief in popular belief and determinism in his thoughts.

Keyword
Masnavi "Naz and Niyaz , Abdul Razzaq Big Denbli , Stylistic Analysis.

• Bahar, Mohammad Taghi (2003), The Stylistics of Prose, (History of the Evolution of Persian Prose), Volumes 1 and 3, Ninth Edition, Tehran: Amirkabir Publications.
• Tarbiat, Mohammad Ali (1935), Scientists of Azerbaijan, Tehran: Majlis Press Publications.
• Danbali (Fascinated), Abdolrazaq (2019), Masnavi Naz va Niaz, edited by Mojtaba Safar Alizadeh, Khoy: Sepid Poetry Publications.
• Danbali, Abdolrazaq Bey (1970), The Experience of Al-Ahrar and Tasliyah Al-Abrar, edited by Hassan Ghazi Tabatabai, Tabriz: Faculty of Literature and Humanities, Institute of Iranian History and Culture.
• Shafiee Kadkani, Mohammad Reza (2011), Images of Imagination in Persian Poetry, Tehran: Agah Publications.
• Shamisa, Sirus (1992), Farhang Talmihahat, Tehran: Ferdows Publications.
• Shamisa, Sirus (1999), Generalities of Stylistics, Tehran: Ferdows Publications.
• Shamisa, Sirus (2006), Poetry Stylistics, Second Edition, Second Edition, Tehran: Mitra Publications.
• Gholamrezaei, Mohammad (2012), Stylistics of Persian Poetry from Rudaki to Shamloo, Tehran: Jami Publications.
• Fotouhi, Mahmoud (2011), Stylistics of Theories, Approaches and Methods, Tehran: Sokhan Publications.
• Mahmoud Mirzai Qajar (1962), The Ship of Mahmoud, by Abdolrasoul Khayyampour, Tabriz: No publications.
• Musaffa, Abolfazl (1987), Dictionary of Astronomical Terms, Tehran: Institute of Cultural Studies and Research.
• Moein, Mohammad (2013), Moein Persian Culture, Tehran: Amirkabir Publications.
• Homayi, Jalaluddin (1998), Meanings and Expression, by Mahdokht Homayi, Tehran: Homa Publications.
• Yahaghi, Mohammad Jafar (1996), Culture of Myths and Fictional Gestures, Tehran: Radio and Television of the Islamic Republic of Iran.
• Elias Ibn Yusuf (2013), Khosrow and Shirin, Nezami Ganjeh, edited and annotated by Hassan Vahidi Dastgerdi, by Saeed Hamidian, Tehran: Qatreh Publications.